Ten Top Tips in International Artist

The upcoming issue of International Artist (August/September #86) has the final feature in my 10-part masterclass on atmospheric effects. I share my ten top tips to keep to keep your color on track.


Also in the same issue is a feature on Petar Meseldžija showing how he painted his recent fantasy painting "The Frost Giants," a report on John Howard Sanden's portraits of George and Laura Bush, and a report by Matthew Innis on the recent Art of the Portrait conference.


I'll be kicking off a new series with the magazine in the following issue.

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The Burial Vault

Last Sunday, while my wife sang sacred harp music with Bard College students in the meeting hall, I sat outside nearby painting the burial vault. 


As the shadows flickered across the stones, I could hear the music and words of a song called "Greenwich" drifting out from the chapel.
Lord, what a thoughtless wretch was I,
To mourn, and murmur, and repine,
To see the wicked placed on high,
In pride and robes of honor shine! 
But O their end, their dreadful end.
Thy sanctuary taught me so;
On slipp'ry rocks I see them stand,
And fiery billows roll below.

—Words by Isaac Watts, 1719

Bard's sacred harp (Shapenote singing) club is led by Benjamin Bath and is open to all.
Bartlett Burial Vault.
Sacred Harp music on Wikipedia
See and hear a group singing Greenwich 183 on YouTube

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Visualizing Sound

Sound propagates outward from its source more like a bubble than a wave, according to John Stuart Reid.

He uses a Cymascope to capture the patterns of sound in a membrane of water, whose behavior is photographed, and, in this case, superimposed over the image of the violinist.

The technique has been used to study the patterns of sound made by birds, elephantsdolphins, and human vowel sounds.
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Gallery of history of Cymascope images

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